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Personnel:
Phil Upchurch (g, b), Cornell Muldrow, Howard Whaley (org), Mack Johnson (tp), David 'Bubba' Brooks (ts), Eddie Silvers (ts, bs), Joe Hadrick, Al Duncan (d), Sonny Boy Williamson II (harmonica)
Reference: BMCD 908
Bar code: 8427328009089
· Collectors Edition
· Extensive new liner notes
· Issued in Digipack
· 2 Original LPs on 1 CD
· Original Cover Art and Liner Notes
· Mono / Stereo Recordings
· Newly Remastered
Philip Upchurch, born on July 19, 1941, in Chicago, Illinois, developed an early connection to music through his father's piano. His musical journey took a significant turn when he started playing the guitar during his teenage years. In 1956, while still in high school, Phil immersed himself in the local music scene, contributing to R&B backing bands such as The Kool Gents. In 1957, right after graduating, he joined The Spaniels and collaborated with Jerry Butler and Dee Clark's band. The latter's theme song, "You Can't Sit Down," recorded in 1960 on the Boyd label, gained unexpected success when released under Phil's name a year later, reaching No. 29 on the Billboard Hot 100 chart, marking a pivotal moment in his early career.
By that time, Boyd had recorded Upchurch’s first 12-inch album, and United Artists signed an exclusive contract with Bob Boyd, covering his entire catalog. The success of the single led to the album "You Can't Sit Down - Part II," released under both the Boyd and UA labels. In 1962, after Upchurch signed an exclusive contract with United Artists, "The Big Hit Dances" LP was released, receiving another Billboard 4-star review during the twist craze.
This CD collection features Phil Upchurch's earliest recordings, capturing the formative years before he delved into recording work and gained acclaim as a highly sought-after musician in Chicago. Over time, his versatility naturally unfolded, enabling him to explore a diverse range of genres, from rock and blues to jazz. For several years, he played a prominent role in the vibrant music scenes of both Chicago and later in Los Angeles recording studios.
Beyond his role as a sideman, Upchurch led notable albums throughout his extensive career, solidifying his legacy as a versatile guitarist and bassist.
—Jordi Pujol
"One of the stalwarts of the LA studio scene, guitarist Phil Upchurch (b 1941) still plays once in awhile at the local clubs like The Baked Potato, making his name on countless sessions for artists like Stan Getz, Dizzy Gillespie and George Benson.
Here, he taps into his inner Chitlin’ Circuit for some party attitudes on organ grooved material with Cornell Muldrown-Howard Whaley/org, David "Bubba" Brooks/ts, Mack Johnson/tp and Joe Hadrick/dr. The focus is on creating music for the latest dance crazes (this is 1961, after all), there are deep rivulets for songs like”The Twist” “The Fly”, “The Swim”, and “The Mambo”. The big hit of the Dovell’s, “ You Can’t Sit Down”, is stretched out over two parts, and a version of the doo wop classic “Running Bear” is simply a hoot. This album is not for the Kenny G crowd-if you’re not on the dance floor with someone, or cruising on the highway 10 miles per hour faster than you should, you’re not getting it."
—George W. Harris (January 22, 2024)
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