Personnel:
Kris Davis (p), John Hebert (b), Tom Rainey (d)
Reference: FSNT-369
Bar code: 8427328423694
"Over the last couple of years in New York one method for deciding where to hear jazz on a given night has been to track down the pianist Kris Davis. She has been playing in town for 10 years, but her gigs have become almost constant: with the bassist Eivind Opsvik, the saxophonists Tony Malaby and Ingrid Laubrock, the drummer Tyshawn Sorey and others. It was only a matter of time before she became unavoidable on record, and nows that time. Ms. Daviss style is wide, and dependent on its context: a kind of tour of post-free jazz and contemporary classical music, Keith Jarrett to Cecil Taylor to Morton Feldman. Her own work can be cerebral and darting and easy to grasp, as on the solid new record by the Kris Davis Trio, Good Citizen (Fresh Sound), with the bassist John Hebert and the drummer Tom Rainey [...]"
Ben Ratliff -The New York Times (August, 2010)
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"Good Citizen is anything but the law-abiding personage of the typical jazz trio release. No cloying ballads or rehashed standards to be found. As in Davis' previous projects as a leader on Fresh Sound RecordsRye Eclipse (2008) and The Slightest Shift (2006)she continues the arduous pursuit of thought-provoking composition and improvisation. Here, she finds two like-minded cohorts in drummer Tom Rainey and bassist John Hébert, both well-known purveyors of boundary-pushing music.
This recording is one of the most out-front displays of Davis' playing. Her piano dances from skittering flights to frenzied syncopations within the title track's blistering tempo. "Where Does The Tunnel Go" is an unforgettable jaunt with a punctuating pop hook propelled by snappy beats and a thundering foundation. "Desert Prayer" is yet another striking statement of the pianist's writing and playing: the cerebral solo piano intro; the deep pocketed mid-tempo groove; and the piano's minimalism, all powerful components that work together in harmony.
Hebert and Rainey are in typical form. They provide texture and tone to the pensive "Skinner Box" and sensational swing-time in "B Side." With examples such as the varying contrasts between "KTJ 1"'s dark tint and "KTJ 2"'s soaring free flight, or Rainey's drums brilliantly mimicking Davis' keys in "Human Condition" with colorful taps and shuffles, the music continually delivers the unexpected. Good Citizen is yet another top notch release from a pianist/composer cut from the same cloth as Myra Melford and Geri Allen."
-Mark F. Turner -All About Jazz (October, 2010)
