Henry W. “Boots” Mussulli, born on November 18, 1915 in Milford, MA, was a passionate and vehement alto  saxophonist. He played with renowned orchestras such as Mal Hallet and Teddy Powell before forming his own band, which lasted for about 7 or 8 years. During World War II, he joined Gene Krupa’s band. In 1944, he became a member of Stan Kenton’s band, where his explosive and energetic solos became a signature and won the hearts of Kenton fans. Mussulli’s style under went a transformation when he played with Charlie Ventura at the Royal Roost in 1950, absorbing the influence of Charlie Parker.

The following years, Boots, the ‘Little Man’ as he was also known, continued to thrive as a solo artist, captivating audiences with his emotionally charged performances at venues such as Boston’s Storyville. His vibrant and compelling tone has established him as a prominent figure in Boston’s jazz scene, alongside baritonist Serge Chaloff and  trumpeter Herb Pomeroy, playing a vital role in the evolution of modern jazz in the city. Reflecting on his musical journey in 1954, Boots expressed, “I’ve never felt like I made a definite switch-over. Times change, and I like to evolve with them. I strive to stay musically young and express my best ideas at every stage.”

On his 1954 recordings, Boots showcased original compositions and standards with a loose and effortless swing. His mastery extended beyond the alto saxophone, as he also delivered pleasingly guttural tones on the baritone sax. These sessions featured the accomplished pianist Ray Santisi, accompanied by talented young musicians from Boston: bassist Jack Carter and drummer Peter Littman, who had been performing as a trio at the Stables. In a subsequent New York session, Santisi was joined by experienced musicians Max Bennett on bass and Shelly Manne on drums.

During the July 1956 recording with pianist Toshiko Akiyoshi, she praised Boots Mussulli, saying, “He played so beautifully on the session.” Boots maintained an unwavering drive throughout, with bassist Wyatt Ruther and drummer Ed Thigpen contributing as integral parts of the proceedings. The result was an intense emotional experience that left the listener deeply moved.

Afterwards, Boots Mussulli transitioned to teaching, making it his main occupation. He dedicated himself to his role as an educator, running multiple daily classes. Despite his busy schedule, Boots Mussulli still found time to continue  playing jazz and even managed his own jazz club in Milford.

Unfortunately, Boots Mussulli’s life was cut short by cancer. He passed away on September 24, 1967, at the age of 51, in Pondville Hospital, Norfolk. Despite his relatively short life, his contributions to the world of jazz continue to be  recognized and appreciated by music enthusiasts and fellow musicians.

—Jordi Pujol (Taken from the inside liner notes of FSRCD 1133)